In the late 1950s the post-war economic boom led to an increase in disposable income among many young people. Some of those youths spent that income on new fashions; they wore ripped clothes and would use pieces of material to patch them up as popularised by American soul groups, British R&B bands, certain film actors, and Carnaby Street clothing merchants. These youths became known as mods, a youth subculture noted for its consumerism and devotion to fashion, music, and scooters.
Working class mods chose practical clothing styles that suited their lifestyle and employment circumstances: work boots or
army boots, straight-leg jeans or Sta-Prest trousers, button-down shirts, and braces. When possible, these working class mods spent their money on suits and other sharp outfits to wear at dancehalls, where they enjoyed soul,
ska, and rocksteady music.
Around 1966, a schism developed between the "peacock mods" (also known as smooth mods), who were less violent and always wore the latest expensive clothes, and the "hard mods" (also known as "gang mods", "lemonheads" or "peanuts"), who were identified by their shorter hair and more working class image. Hard mods became commonly known as skinheads by about 1968. Their short hair may have come about for practical reasons, since long hair could be a liability in industrial jobs and streetfights. Skinheads may also have cut their hair short in defiance of the more middle class hippie culture.
By the early 1970s, the skinhead subculture started to fade from popular culture, and some of the original skins dropped into new categories, such as the suedeheads (defined by the ability to manipulate one's hair with a comb), smoothies (often with shoulder-length hairstyles), and bootboys (with mod-length hair; associated with gangs and football hooliganism). Some fashion trends returned to the mod roots, with brogues, loafers, suits, and the slacks and sweater look making a comeback.